2011 Roundup

December 13, 2011 at 12:00 AM

(Here's an edited version of an entry that I originally published on my professional blog.)

I’m always a sucker for a good end-of-year review. What went right, what went wrong. The highlights, the lowlights. So without further ado...

Best Readers: You, obviously. *obsequious smile*

Best Concert as Performer: Community Table, April 2011. It impressed upon me what’s really important about our art. It’s not about the repertoire or the competition or playing every note perfectly. It’s about passion and communication – saying things that can’t be said in words. Everything else is a bonus.

Worst Concert as Performer: Let’s just say I’m glad I was paid for playing this concert. Interpret that as you will.

Best Concert as Audience Member: This category was super-difficult. I had the immense honor of seeing the Minnesota Orchestra three times this year. I only reviewed two of them. But I think my favorite was actually the one concert I never wrote about – the Ravel Inside the Classics concert in Minneapolis in March. First of all, it was repertoire I’ve loved forever, and second, it was a lot of fun to hear musicians talking about it. That weekend opened so many doors for me, intellectually, emotionally, professionally... It was everything a good concert should be, and more. Possible Honorable Mention – I have tickets to one of the music world’s most coveted concerts of 2011...the final Bon Iver homecoming concert in Eau Claire tomorrow night. I have a gut instinct it will be one of the musical highlights of not just the year, but my life.

Worst Concert as Audience Member: Once again, won’t say, but the problem wasn’t actually the music, it was the snotty people around me!

Biggest Musical Regret: Not being part of an orchestra. I’m in a string orchestra, and I love that, but there...are times...that...I miss the brass and woodwinds. Okay, I said it. I won’t say it again.

Favorite Repertoire: Bach g-minor adagio. I will work on that piece until the end of my days and still not get to the bottom of it. But it’s so satisfying to try.

Favorite Impromptu Concert: A friend played some solo Bach for me on a warm breezy August afternoon. We were in the parlor of an 1880 house and the porch door was open and the birds were chirruping out the bay window. Those few moments were perfect. For the rest of my life, whenever I hear that piece, I will remember that moment in the parlor, and how the tears started draining down my face, because in that place and time there was simply nothing else left to want.

Best Remix: The Oh Long Johnson cat remix. Obviously.

Best Comment by a Conductor: ”Okay, guys, let’s get out our Jewish Christmas carols!”

Worst Comment by a Conductor: From a guest conductor, and inappropriate to reproduce here.

Best Non-Classical Group And Track: Bon Iver. I love just about every one of their songs, but... The one that was the gateway drug for me was Skinny Love. Yeah, I’m a few years behind the times. Sue me.

Best Musical Movie Scene: Actually, make that seventy years behind the times. This year I discovered Fred Astaire and Ginger Rogers, and in particular, their dance to Night and Day. I covet Ginger’s dress, which is the single most beautiful gown I’ve ever seen.

Favorite Soundtrack: The Fountain.

Favorite Blog Entry I Wrote: This one.

Favorite Blog Entry I Transcribed: This one with Marie Hall. Her personality just shines through the pages. She was fearless.

Best Lyrics: From Bon Iver’s Holocene – And at once I knew I was not magnificent / strayed above the highway aisle / jagged vacance, thick with ice / I could see for miles, miles, miles. Those words say it all, really. They celebrate the significance of insignificance. If that makes any sense. It’s my Song of the Year already.

Most Encouraging Hometown-Related Epiphany: You can be based in Eau Claire and still take on the biggest names in music.

Best Music Blog: Inside the Classics. If I can be half as entertaining and informative as the folks over there, I’ll be a very happy blogger. Honorable mention, Emily Grossman’s thirty-day blogging project here.

Best Music Website: Well, violinist.com, always. Duh.

Best Music Book: I’m not exactly in the center of the music book biz (/understatement); everything I read is courtesy of the Internet or the library. But the best book of the year that I did get my hands on was Alex Ross’s collection of essays, Listen to This.

Most Blatantly Obvious String Instrument Dub: The violinist on Celtic Woman.

Cruellest Violin-Related Tweet: "Sherlock" co-creator, writer, and minor deity Mark Gatiss, tweeting an image of Sherlock’s violin from the filming of season 2, with a quote from Doyle about Sarasate. New season of the show starts January first! (Forgive my enthusiasm, but when you’re 22, and you’ve been a Holmesian for over half your life, "Sherlock" becomes a pretty big deal... First-rate television; everyone should watch it!)

Favorite Single Line I Wrote This Year, Taken Completely Out of Context: Everything about her was predictable: her eagerness, her enthusiasm, her obsequiousness, her obsessive thirstiness for knowledge, her conviction that classical music is a sacred art and every semi-talented practitioner of it a kind of high priest.

Best Colbert Report Duet: Technically not on the Colbert Report. Stephen’s rendition of the modern-day classic “Friday” on Jimmy Fallon’s show. It was done to raise money for arts education in public schools, which is a cause I think anyone reading this blog can get behind.

Weirdest Google Books Find: This was a very strong category; I am a magnet for vintage Google Book crazy. In the end, I can’t decide between the article about brass players going bald from 1896 or this crazy hilarious sexuality of musical instruments article from 1921.

Favorite Tumblr: Aside from mine, of course? Cough. Actually, Facepalmmozart. About half of the entries I reblog on my Tumblr come from there.

Favorite Tumblr Post from the Song of the Lark Tumblr

I can’t choose just one, so here are five.

1) Violinist, poet, salon leader, and outspoken lesbian Natalie Clifford Barney.

2) Marie Hall anticipating the rise of female conductors in 1905.

3) Portrait of Marion Osgood, writer, violinist, teacher, conductor...the list goes on and on.

4) Portrait of Leonora Jackson in a lovely Victorian room.

5) A picture of Irma Saenger-Sethe and a quotation from the Bach d-minor partita.

Best Lesson I’ve Learned: Do what you want to do as an artist. Trust your gut. If you’re good at what you do, and you have potential, then seize that potential, and don’t make excuses. Don’t let anyone keep you from doing what you want to do. If people keeping you hostage emotionally, and you decide to keep quiet about it to not upset them... You’ve lost. You’re either going to do what you want to do and have them be angry with you, or you’re not going to do what you want to do, and then you’ll get angry with them, and then they’ll get angry back. Both alternatives are painful. Incredibly painful. But the first one less so.

Thinking toward 2012...

Best Bet for Best Concert of 2012: Minnesota Orchestra and Ehnes in Brahms concerto in January 2012. Or the premiere of Judd Greenstein’s new Microcommission work for the Orchestra in March. But who knows...it may turn out that the best concert will actually be the one I have no idea is happening yet. Now that is an exciting thought!

Crazy Musical Goal That I Feel Insecure About And Will Continue To Waffle About Over The Next Several Months: Auditioning for a local orchestra.

Secret Musical Goal That I Feel More Confident About: To become semi-fluent in alto clef. Yes, I’ll admit it: I’m seventy-five percent sure I’m going to rent a viola next year. Pedagogue Edith Lynwood Winn said every violinist should be able to play viola, and I definitely think there’s some truth to that. I can’t imagine it will ever become my first instrument, though. I enjoy viola jokes too much. (And more seriously, I’m a very highung tension-prone double-jointed small person, and it remains to be seen how well I’ll take to a bigger instrument.) But in any case, I do hope to do this, and blog about the experience.

What You Can Expect From This Blog In 2012: I don’t even know what to expect on this blog in 2012! But safe to say it’ll probably include a lot more discussion about female violinists and, more broadly, the history of women in classical music, period. Because there just is not enough information out there about the wonderful women who made it possible for me and all the other ladies out there to partake in this beautiful art form.

So that's about it! All I have left to say is that I love blogging and I love my readers. Really and truly. Thank you SO MUCH for reading what I write. A very happy holiday season to you and yours.

From Geoff Caplan
Posted on December 13, 2011 at 2:02 AM

Wow - what a great effort! Wishing you a Happy New Blogging Year...

PS - I like the way the feminist in you is drawn to
Ginger's understated little gown :-)

From Tom Holzman
Posted on December 13, 2011 at 4:53 PM

Emily - a wonderful post. You sure have a wide range of experiences in a year. For conductor quotes, you ought to find some of Sir Thomas Beecham's. He could really skewer musicians and music. Some of the ones about musicians are maybe not appropriate to a family-friendly site such as v.com, but his description of the sound of the harpsichord -- "skeletons copulating on a tin roof" -- gives an idea.

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