Watch the Indianapolis Competition Livestream

Review: Irish Fiddler Eileen Ivers in Blacksburg

September 17, 2022, 10:18 AM · On Friday September 16, my wife, my daughter, and I attended a concert given by Eileen Ivers and her band Universal Roots. Well, it was simply an amazing show.

Eileen Ivers
Irish Fiddler Eileen Ivers.

Ivers is a legend of the Irish fiddle, having both sensitive musicality and explosive virtuosity. Her band of multi-instrumentalists included Nature’s gift to the button accordion (doubling on piano/synthesizer), a drummer who also sang and strummed the guitar, a guitarist who took up a little squeezebox for a couple of tunes, and a Juilliard-trained bassist who doubled on the harmonica.

Of course the performance was thoroughly electrified, and the overall sound was what I would call “processed acoustic.” The sound quality was excellent, made all the more so by the peerless acoustics of the Fife Theater, the main venue of the Moss Arts Center at Virginia Tech. Ivers cleaved easily to the modern tools of the trade, including the looper, the fuzz box, and the Cry-Baby.

At the start of the show I thought I would write down the titles of the tunes, which were announced sort-of from the stage, but in the end I put away my pen, as the audience was rowdier than I’m used to and I could not really hear the titles over the din between numbers, and my hearing is compromised.

Overall it was a fantastic show. Ivers read a couple of poems. She zipped around the stage like the cartoon Tasmanian Devil, pairing up with different members of her band to trade 4s, 2s, 1s, and 1/2s, showcasing their skill along with her own. There was a lot of musicianship on display.

The band also performed tunes in various different styles – Irish, French-Canadian, Appalachian old-time, Creole, and South African. That's the "universal" part of Universal Roots, apparently. Some of her forays into these different styles were more effective than others, perhaps because of the finite range of instruments on stage. Her Creole style had some of the right spice -- but I would say it was gumbo without the roux. Maybe I was expecting a sound more akin to Zydeco, which is another thing entirely. On the other hand, her old-time was dead on.

In her encore number Ivers blew a string hard while trying to saw her instrument in half with her bow, and she shouted out “Oh!” But she kept playing on her lower strings to finish out the tune. I think she must have lost her A string because I could see it hanging from her pegbox from halfway back in the center-orchestra section.

If Eileen Ivers and Universal Roots comes to your town, that’s an act not to be missed. My family really enjoyed the show.

* * *

Enjoying Click here to sign up for our free, bi-weekly email newsletter. And if you've already signed up, please invite your friends! Thank you.


This article has been archived and is no longer accepting comments.

Facebook Twitter YouTube Instagram Email is made possible by...

Shar Music
Shar Music

Pirastro Strings
Pirastro Strings

Corilon Violins
Corilon Violins

Los Angeles Philharmonic
Los Angeles Philharmonic

Virtual Sejong Music Competition
Virtual Sejong Music Competition

Dimitri Musafia, Master Maker of Violin and Viola Cases
Dimitri Musafia, Master Maker of Violin and Viola Cases Shopping Guide Shopping Guide

Coltman Competition

Metzler Violin Shop

Bein & Company

Bay Fine Strings Violin Shop

Leatherwood Bespoke Rosin

Annapolis Bows & Violins

Los Angeles Violin Shop

String Masters

Bobelock Cases

Things 4 Strings LLC



Sleepy Puppy Press

Jargar Strings

J.R. Judd Violins, LLC

Southwest Strings

Nazareth Gevorkian Violins

Laurie's Books

Discover the best of in these collections of editor Laurie Niles' exclusive interviews. Interviews Volume 1 Interviews Volume 1, with introduction by Hilary Hahn Interviews Volume 2 Interviews Volume 2, with introduction by Rachel Barton Pine